Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Dancers,nude Study oil painting


Dancers,nude Study
mk194 1899
Painting ID::  49201 		Edgar Degas
Dancers,nude Study
mk194 1899
   
   
     
Edgar Degas Horses and Riders on a road oil painting


Horses and Riders on a road
mk194 1867-68
Painting ID::  49202 		Edgar Degas
Horses and Riders on a road
mk194 1867-68
   
   
     
Edgar Degas Self-Portrait oil painting


Self-Portrait
mk194 c.1857-58 Oil on paper mounted on canvas 26x19cm
Painting ID::  49203 		Edgar Degas
Self-Portrait
mk194 c.1857-58 Oil on paper mounted on canvas 26x19cm
   
   
     
Edgar Degas Study for Julie Burtey oil painting


Study for Julie Burtey
mk194 c.1867
Painting ID::  49204 		Edgar Degas
Study for Julie Burtey
mk194 c.1867
   
   
     
Edgar Degas Young Woman Street Costume oil painting


Young Woman Street Costume
mk194 c.1879
Painting ID::  49205 		Edgar Degas
Young Woman Street Costume
mk194 c.1879
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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